Sunday 17 November 2013

Chateau Montrose

On 17th November as part of the Decanter Master Class series we tasted eight vintages of Chateau Montrose and two of the second wine, La Dame de Montrose. The tasting was tutored by Herve Berland, who moved across to Montrose last year after 35 years at Mouton Rothschild. 

He was appointed after the retirement of Jean Delmas, formerly of Chateau Haut-Brion. Delmas still works as a consultant for Montrose, which therefore effectively has two former first growth winemakers overseeing the winemaking. However all of the wines we tasted effectively pre-dated Berland. 

Of the total production about 50-55% goes into the Grand Vin and 20-25% into La Dame. The GV is typically about 65% cabernet sauvignon, 30% merlot, 4% cabernet franc and 1% petit verdot. La Dame is typically predominantly merlot, but the 2003, which we tried, was predominantly cabernet because the thinner-skinned merlot had a tough time in the torrid heat of 2003. 

La Dame de Montrose 2009

This is 82% merlot. It is suave, harmonious with berry fruit and still young. 16/20

La Dame de Montrose 2003

Atypically 65% cabernet sauvignon. Spicey, raspberry, with cigar box notes. Very ripe, but quite balanced and little sign of heat damage. Easier to drink than the 2009 Dame. 16

Chateau Montrose 2010

This is 53% cabernet, 37% merlot, 9% cabernet franc. This is astonishingly good wine. It is rich, dense structured and powerful, but elegant, refined, fresh and uplifting. It has an equilibrium that the 09 can only dream about and is close to perfection. 19

Chateau Montrose 2009

Rounder, fuller, more opulent than the 2010; lower in acidity and oakier, but dense, ripe and powerful across the middle. It just lacks the precision and finesse of the 2010 in my opinion. More evidence in my book that 2010 is the better vintage. But others don’t see it that way. Interestingly the group marginally preferred this to the 2010. Berland, whilst acknowledging it is difficult to choose between the nine and the ten, rates this as the equal greatest Montrose ever, with the 1990. Still, I only gave it 18/20.

Chateau Montrose 2005

Like the 2009 roughly 65% CS, 30% merlot. More noticeable berry aromas. This is superb wine. It is not as opulent as the 2009 but is extremely well balanced and very long, rich and powerful. It still needs a long time, but is starting to show a glimpse of its potential. 18.5

Chateau Montrose 2003

Chateau Montrose is as well equipped as any other classed growth to deal with extreme heat, given the clay in the soil, which holds water and the proximity of the river. This is why, quite possibly Montrose is the wine of the vintage in 2003. It is more evolved than the 2005, with classic left bank notes of berries and cedar. It is still tannic but already gives a lot of pleasure. It is full bodied, very rich and concentrated without being unbalanced. It is mouthfilling, setting all the senses alight. It is certainly the best 2003 I have tasted. 18.5

Chateau Montrose 2000

The 2000 is a step down from the 2003 and 2005 but still a very good wine. It lacks the fine texture of the 03 and 05, and is still backward like the 05; the 03 is much easier to drink and much more enjoyable right now. The 2000 is a sturdy, even opulent wine with lead and iron notes and huge tannins. It should last more many decades, and is best left alone for at least another decade. 17.5

Chateau Montrose 1998

This has aged well, and still has an abundance of tannin. It does not have an abundance of fruit and ripeness, however, and this is noticeable after the previous wines. This is quite tough to drink on its own, and what it needs is food: something like a beef on the bone, to which it would undoubtedly be a fine accompaniment. 16

Chateau Montrose 1986

This wine is finally coming round, after being stubbornly tannic and unbroachable for nearly a quarter of a century. The nose is secondary, with interesting notes of rotting garbage, and ashtray. On the palate it is still a brute; big, brawny and chewy, with a lot of density and power, a characteristic of the vintage. 17

Chateau Montrose 1976. 

This is the second time I have tried this wine in less than a week. In the context of the vintage it is a triumph. It is holding together very well, and provides a lot of pleasure, with no sign that it is going into decline. However it is neither opulent nor long on the finish. 16

This was an interesting selection of wines from the Montrose stable, confirming its status as a super second in my book. But neither is it quite first growth quality in my opinion. These wines lack a certain delicacy and have a certain iron-fisted sternness, which does not always come in a velvet glove. And it only really hits you when you leave the room. 

I would commend these Decanter Master classes even though the pours were miserly today and the woman from Decanter can be irritating...she was even more sycophantic than usual with Berland and didn’t know when to shut up.

La Fleur Petrus

On 16th November we tried nine wines from this estate owned by the Moeuix family since 1950, as part of the Decanter Masterclass series. Today the vineyard is composed of three major blocks, LFPs 1, 2 and 3 on the "plateau" of Pomerol. The wine is typically 90% merlot and 10% cab franc.

The wines were presented by Eduoard Moeuix, the son of Christian. Eduoard spent quite a few years at Dominus, in California, one of the the estates the family owns. The others include Trotanoy, Latour A Pomerol, Hosanna and now Belair Monange in St-Emilion.

La Fleur-Petrus makes a style of wine that aims for finesse and complexity rather than power and extraction. As the tasting showed they don't always get it absolutely right, notably in some big vintages, but it is my kind of wine. 

The wines

1989

A restrained and delicate style of wine, despite being quite high in alcohol. Ripe but not opulent with some dried prunes, tobacco, gravel and mineral notes. A wine with the emphasis on finesse and complexity rather than exuberance. It is not in the same league as some other 1989 Pomerols, like La Fleur De Gay, but I rather like it. 17/20

1995

A slightly more radiant colour and more expressive nose, with minerals, cedar and some perfume. A little more structured than the 1989 but still nicely resolved, albeit with some residual tannic grip. Very smooth and elegant on the palate. Again not an exuberant wine, but a classy one. 17.5

1998

This wine took a while to come out of its shell, it was shy on the nose initially; it is nevertheless round, full and seamless; slightly more full-bodied and denser on the mid-palate than the 1995, this wine really started to sing after 90 minutes. Restrained, but complex, a beautiful wine. 18

2001

This had a more obvious nose of strawberries and grainy tannins. It is quite well resolved and drinking well, but it lacks the gravitas of the 1998 (and the 1995). 16

2005

Rich and concentrated with plummy Christmas cake notes; tannic structure. Opulent, and a little overripe, and hence less balanced and less elegant, than the previous wines. 16

2006

A likeable wine, despite its somewhat foursquare and simple personality. Quite delicious and approachable, with raspberry fruits. Lacks the depth and power of the 2005 and the complexity of the first three wines. 16

2009

Already very delicious, irresistible and quaffable, a wine which incorporates parcels from LFP2. Again raspberry, with hints of balsamico, with more opulence than the 2006. Despite the vintage this lacks the complexity and finesse of the 1995 and 1998. 17

2010

Similar to the 2009 but a bit less opulent, and a bit more structured, and perhaps a little more finesse. An outstanding wine, but I still prefer the 1998. 17.5

2012

Not as powerful as the 2010 nor as opulent as the 2009, but more elegant, and already absolutely delicious, with violets, truffles and mushrooms. Showing very well now. Light on its feet and dextrous. 18



La Fleur-Petrus is my kind of Pomerol, but too expensive to afford eally. I would, however, consider buying a case of the 2012, which will probably be on a par with the 1998, the best mature vintage we tried.


This estate probably made better wines in the nineties than the noughties, and the 2012 could mark a return to form. By all accounts the 12 is a better wine than its stable mates Latour A Pomerol and Hosanna.